![]() ![]() ![]() These competing interests are no less smoothed out by MCU’s blockbuster demands (that this must be a mainstream hit and usher in the next phase of the cinematic universe) and the weight of satiating Black folks who feel seen by the fantastical confirmation of Black regalism. It must also contend with a bevy of other requirements: setting up the Marvel TV series “Ironheart” (in which Dominique Thorne will star), acknowledging The Snap, grieving Boseman’s death, and finding a new Black Panther. Rather than fighting their common enemy (white colonists), two kingdoms helmed by people of color are pitted against each other (an idea that never thematically lands), and the film must delve into the cultural pain that still exists from the historical annihilation of Central and South America’s Indigenous kingdoms. ![]() ![]() The hulking script is chock-full of ideas and themes. Others feel like a capitulation to assimilate into a movie-making machine. Some limitations aren't within their control, such as the tragic death of Boseman. It mostly stood on its own without the crushing requirements felt by every other film: The humor existed between the characters, not as random references to another property the characters (with Andy Serkis as Ulysses Klaue as an exception) were particular to the story the concerns rarely drifted toward franchise building aspirations.īut writer/director Ryan Coogler and his co-writer Joe Robert Cole don't possess the same kind of freedom with this melancholy sequel. What was the secret ingredient for the success of “Black Panther”? Similar to the resplendent, secluded African nation of Wakanda, “Black Panther” existed just outside of the Marvel Cinematic Universe. ![]()
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